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doing so subjugated art to their pedestrian skill. The censure of copying and exaltation of disegno – from sixteenth century art theory to the present day – has cemented the idealization of early modern
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doing so subjugated art to their pedestrian skill. The censure of copying and exaltation of disegno – from sixteenth century art theory to the present day – has cemented the idealization of early modern
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sixteenth century art theory to the present day – has cemented the idealization of early modern Italy’s “great” architects and artists. Equally critical, the dismissal of a substantial volume of “practical
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sixteenth century art theory to the present day – has cemented the idealization of early modern Italy’s “great” architects and artists. Equally critical, the dismissal of a substantial volume of “practical