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PhD Studentship: The Scourge of Plastic Waste: Analysing Issues of Sustainability and Accountability
of Essex. The aim of the project is to explore (i) the global plastic waste business to better understand the trade, policy and regulatory gaps, and (ii) the issue of sustainability and accountability
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University London are providing a PhD studentship with full funding and a training budget of £2,951 to develop skills required to undertake the project. This studentship will offer a basic salary in line with
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, particularly regarding inventory management and forecasting To develop new improved inventory management solutions for the agri-food sector that take into account their unique circumstances (short shelf-lives
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Wet wipes, coming in different shapes and forms such as baby wipes, wet towels, antibacterial hand wipes, medical textiles, are essential to our daily life as a practical hygiene and cleaning product. Global market for wet wipes was around 15.2 Billion USD in 2022, and is projected to reach 33.8...
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repercussions on public opinion. The primary objective is to investigate the multifaceted actors involved, including businesses, governments, and media outlets, and their role in perpetuating climate
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), which covers the research period of the PhD. The fee waiver for 24/25 is £4,786 (Home fee) and the maintenance grant is £19,237 per annum. This rises each year in line with the UKRI’s recommended
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For full details/full job advert see: https://docs.gre.ac.uk/rep/communications-and-recruitment/how-do-we-broaden-and-deepen-the-emotional-range-of-video-games How do we broaden and deepen
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of Arts, Design and Media; Business, Law and Social Sciences; Computing, Engineering and the Built Environment; and Health, Education and Life Sciences. WHO IS ELIGIBLE FOR THE SCHEME? The University
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Business School with secondary supervision from Essex Law School. The efforts to establish 'loss and damage’ climate funding to aid countries impacted by climate disasters underscore the need for collective
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performances, profound questions remain about the role, opportunities, business models and implications of digitally-mediated theatre, and the ways in which theatres do – or do not – produce digital ‘content